Holiday Print Sale!
From Nov 26 - Dec 10 these prints will all be $40 each plus shipping. What a fun gift for the person who has everything -- or the person who has nothing, for that matter --
Hurry, they won't last long, and there's only one of each!
Sunflower
Sunflower (close)
Silver gelatin print, approx 5x6 1/2 inches
Maple Leaves
Seven inch silver gelatin print. Selenium toned.
Path to the Pool
Liquid silver emulsion on 15 inch square hot press watercolor paper.
Windowsill
Fern
Door
6 inch lith print.
Bud
6 inch bleached-back silver gelatin print.
Trillium 2
Bleached back silver gelatin print. 6 inches square.
Here We Are Again
6 inch lith print. A summer day.
Back Door
Liquid silver emulsion on 7.5 inch square watercolor paper.
Birch Grove
Gin Wagon
liquid silver emulsion on 15 inch square hot press watercolor paper.
Birch leaves
Delta
Liquid silver emulsion on hot press watercolor paper. 15 inches square.
Trillium
6 inch bleached silver gelatin print.
Church Hall Piano
6 inch lith print.
Twisted
Snapper tail
six inch lith print
Snapper SOLD!
This is a six inch lith print.
Summer Buddha SOLD!
6 inch lith print.
Hens
Single weight silver gelatin print, selenium toned. 6 inches square.
Driftwood
This is a 6 inch silver gelatin print. I think it's gold toned. Dated 2005
Birdbath
Sumac Grove
Apple tree, Buoys
Liquid silver emulsion on hot press watercolor paper. 15 inches square.
Things
six inch lith print.
Summer
6 inch lith print.
Goldenrod, Pine
Lith print, 6 inches square
.Picnic
6 inch lith print.
Queen Anne's Lace SOLD!
Redwood
5 inch silver gelatin print.
Ichabod
6 inch lith print.
Untitled
Liquid silver emulsion on 6 inch square hot press watercolor paper.
Toy Boat
Silver gelatin on fibre based paper.
At the Beach
Six inch silver gelatin print.
Beyond Crescent Beach
This ie liquid silver emulsion on 8.5 inch square handmade Khadi paper. I've cropped the margins here to scan it, and there are also four deckled edges.
Blue Cabbages
Cyanotype on hotpress paper. Approx 5x7.5 inches on 7 x 8.5 paper
Grail
Liquid silver emulsion on hot press watercolor paper -- approximately 5x8.
Bunchberries
This is a silver gelatin print, approximately 5 inches square. Selenium toned.
Peas
Garlic, bottle SOLD!
6 inch silver gelatin, gold toned.
Poppy 2
5.5 x 5.5 inch silver gelatin print. Selenium toned.
Goldenrod
Lith Buddha
Lith print. 10x10
Starving Gus
6 inch square silver gelatin print.
Apple tree, buoys
Fish House 2
Birches, Cove SOLD!
liquid silver emulsion on 8 inch square handmade Khadi paper. Four deckled edges.
Buoys
Bud Vortisch's Fish House SOLD!
Liquid silver emulsion on Arches hot press watercolor paper. 7.5 x 7.5 inches.
Pool sold!
Liquid silver emulsion on 12 inch square Khadi. Four deckled edges. This is a gorgeous print, if I do say so myself.
Bust
Strange Music
4x5 silver chloride contact print.
Rock, Tree
Liquid silver emulsion on handmade Khadi paper. Image is approximately 8x8 on 12 inch square paper, four deckled edges.
Which Came First?
Liquid silver emulsion on hot press watercolor paper. 9x6
Special
Liquid silver emulsion on hot press (smooth) watercolor paper. 6x9
Swimming! SOLD!
Coffee toned liquid silver emulsion on Masa paper. Approximately 5 .25 inches square.
Statue SOLD
Liquid silver emulsion on Masa paper, tea toned. 5 x5 on 6x6 paper
Cliff Island Ferry SOLD!
Liquid silver emulsion on handmade Khadi watercolor paper. 12x12
Me & Thee
This is liquid silver emulsion on Masa paper -- 6 inches square. Who would have thought these would be out in the middle of the woods.
Spiral Staircase
Plain silver gelatin print, approximately 6.5 inches square.
Resting SOLD!
This is another 5.5 inch square liquid silver emulsion print on Masa paper. Coffe toned to give it that aged look.
Nightshade
This is a 4x5 inch contact print, on Slavich single weight paper.
Leaving Diamond Cove 3
This is liquid silver emulsion on 12 inch square Khadi handmade paper. All four edges are deckled and there's actually quite a bit more margin than this shows. The image itself is approximately 8 inches square.
Ferns
5 inch silver gelatin print.
Leaving Diamond Cove 2
This is liquid silver emulsion hand applied to Khadi handmade paper. The sheet is 12 inches square, deckled on all four edges.
Real Bar-B-Que
This is tea-toned liquid silver emulsion on hot press watercolor paper, approximately 8.5 inches square. A rare find!
Leaving Diamond Cove
6 inch silver gelatin print
Peony Buds
This is a little 5 inch square silver gelatin print. Selenium toned.
Glove
Liquid silver emulsion on A4 size Khadi.
Lila
This is a 4x10 contact print on Khadi handmade paper, A4 size, and deckled on all four sides.
Stone bird with leaves
Bleached liquid silver emulsion on hot press watercolor paper. Approximately 7.5 inches square.
Canoes, Clothesline SOLD!
Liquid silver emulsion on 12 inch square Khadi handmade paper.
Ferns
This is a six inch square silver gelatin print on double weight fibre based paper.
Steps
Coffee toned liquid silver emulsion on hot press watercolor paper. Paper is 7.5 inches square, and this scan shows the entire sheet.
Peony Buds 1
This is a 5 inch square silver gelatin print, made on double weight fibre paper, and selenium toned.
Through trees
I printed this earlier this year on Khadi paper, but here it is with liquid silver emulsion on Masa, which is a very delicate paper. The image measures about 9 inches square, and the edges are straight, no exposed brush strokes.
Happy Tails
This one was taken with a toy camera with a plastic lens . The print is partly sepia toned, and measures about 7.5 inches square.
Sharing the Chair
9x9 liquid silver emulsion on Masa paper. Coffee toned -- check out the push pin shadows! This paper is so fragile I had to tack it down to keep it flat. I eventually found less obtrusive ways.
4 and 18
This is a six inch square silver gelatin print on double weight fibre based paper. Blackbirds & Pie . . .
Buddha, Wagon, Snow SOLD!
This is an 8x10 inch contact print, on fibre based silver gelatin paper.
Henny Penny
Silver gelatin print on single weight fiber based paper. 6 inches square.
Gate
6x6 fibre based silver gelatin printLeaf
fibre based silver gelatin print. 6x6 inches.
From Darkness
Imagine my surprise . . .
A4 size Khadi handmate watercolor paper, four deckled edges.
From a Grotto
A4 Khadi paper, hand painted with liquid silver emulsion then exposed. Another of my cemetery women . . .
This one a Madonna, of course, adorned and garlanded by many.
The final image measures approximately 8.5 x 12, with four deckled edges.
Book, Blossom
Another of the a4 sized Khadi paper liquid emulsion prints. All edges are deckled. Someone had left a real flower on this statue, I had to climb a bit to get it.
White Snake, Apple
Liquid silver emulsion on cold press A4 (8.5 x 12) size paper. Four deckled edges which you can't see here. She's a little rougher than yesterday's white maiden, but I think she's a pluckier character all-around.
White Snake
This woman stands on a white snake -- it's a beautiful statue. and I'm pleased with the way the photograph printed. This is handmade Khadi A4 size paper again, with liquid silver emulsion.
Goose
We've always had a special relationship, geese & I -- and this one was no exception. This is a 9 inch silver gelatin print, selenium toned & processed to archival standards.
Vulture
This is a 9 inch square silver gelatin print. Selenium tones, processed to archival standards.
Water
This is a large print, liquid silver emulsion on 15 inch square hot press watercolor paper. The surface is irregular, there are imperfections and brushmarks characteristic of this technique. The image itself measures approximately 11x11.
Narcissus 2
This is a large format 4 x 5 negative enlarged to 6.25 x 8.25 (approx) on silver gelatin paper -- the mate to yesterday's narcissus 1. Becuase they were shot at the same time, developed at the same time and also printed together, they really go together tonally and mood-wise as well.
Narcissus 1
This is a large format 4 x 5 negative enlarged to 6.25 x 8.25 (approx) on silver gelatin paper. One of those images with the complicated dark areas that draws the viewer in. With these large negatives there's very little grain in the enlargement and the tones are incredibly smooth.
There's another one that goes with this which I will post tomorrow.
Blossom, Bird
This is hot press watercolor paper, 7 1/2 inches square with hand painted liquid silver emulsion. The image is a mason jar with cut daffodils and a stone garden bird who turns up here and there in many of my photographs.
Reflection
This is a six inch square lith print -- a handful of trees reflected in the creek in Millcreek Park. It never really sang for me as a regular silver gelatin print, but this lith print is quite beautiful with its salmon colored highlights.
As sure as the mail would come every day without fail, Ethel would be there to meet it. . . .
5 inch lith print,
This Hand
This hand is a scallop shell, holding other shells, which may hold other shells . . . .
Girl
This is a silver gelatin print, an inlargment from a 4x5 negative. The print measures 7x 9 1/4 inches
My Little Life 2
Curtains, a another lith print -- this is 5 1/2 inches square.
Another Way
little birds, green
Liquid silver emulsion with green pigment. This paper is about 7.5 inches square, a heavy hotpress watercolor paper
Raven
Fence, buds
This is a six inch square silver gelatin print, and the average computer monitor will have a hard time dealing with the long tonal range, but hopefully this is a decent approximation.
As always, I've taken the care to process this to archival standards on fiber based paper. It's a beautiful print of some tiny buds I found one day while wandering around in Eskilstuna, Sweden.
Lith blossoms
Isn't this an incredible season? So much bursting forth, so much promise & possibility. This is a six inch square lith print, the grain and tones are really unique to this process, and vary widely from print to print, so a lith print is always one-of-a kind. Often I am able to get two or three -- sometimes even four -- related prints to turn out with the same tones and grain structure if I work quickly when the lith developer is ripe. But those of you who have done lith developing know that it's a fairly small window.
An Opening
In the old stories, if you walked between two special trees you might enter into another land -- that's what this reminds me of. This is a lith print, 6 inches square. This is another one I can mat for you if you'd like it to arrive ready to put into a frame. Just let me know and we can figure that part out. Mothers' Day gift? we can figure that out, too . . .
Beautiful Woman Tree
Another lith print, this one is also 6 inches square. My favorite of the lot. I like what the three of these do together, too -- it's not entirely sad when you see the different angles of the story.
Pruned Oaks 2
A larger view. There's almost a dance going on between those larger two on the right.
This is a six inch square lith print, on fibre based paper. I chose lkith because I wanted to enhance the surreal quality of the scene, and I think it worked here. It's processed to archival standards, and of course I'll guarantee that when you like it you won't be disappointed.
Pruned Oak
This has been the season of trees for me, that's for sure. I'm happy about it, though, since I've been able to capture a lot of beauties, and a lot of strength & pain as well -- as I think this one portreys. This is another lith print, 6 inches square on fiber based paper.
Chin Rest
This is a six inch square print on tea-toned liquid silver emulsion painted onto Masa paper. An oddity, really, but it has a certain charm. There aren't any margins, so this one will have to be floated on a backing board before framing -- or you can do as I do and just nail it up on the wall (not really, but it's got that sort of rustic look, doesn't it?)
Lith woman
I guess it's stone woman week -- this one is a statue from a Virginia cemetery. I like cemeteries a lot, and always try to find the statues of women and angels in them, to see how they are portrayed. Sometimes they seem bereft, and often they appear to be waiting, but more often than not they look quite feisty. I have some in my odd collection of women shaking their fists at the heavens --
This one really looks like she's just walked into the room and already forgotten what it was she was after . . .
Muse
I've printeds negatives of this statues many times and many different ways over the years. I remember how frightened I was when I first printed this, trying to get that great bolt of elextricity in the background tamed. Quite a job -- it's a little tamer in real life than on the screen, but still an integral part of her story.
Tulip
This is a 4x5 contact print, probably smaller in reality that what you're seeing on your screen. After this was exposed and developed it was stained in coffee to give it that old look.
It's a lovely little print, a good reminder -- no matter what the season or situation -- that beauty surrounds us.
Ajax, tulips
What can I say?
This is a 6 inch square silver gelatin print. I'll sign and date the back & mark it Daily Print for you. Haven't you always wanted a dog?
Kettle Cove 3
Once again, Khadi paper with liquid silver emulsion. The paper is deckled on all four edges, and the image itself measures about 6 inches square. This is the last of the three. An early Spring day. Lobster boats and islands in the fog. The earth like a body laid out beside the sea. . .
My usual guarantee applies. These three all have "dirty" borders, so they should be matted rather than shown with the full paper exposed. They'd look lovely together, so if anyone's interested in all three. Let me know and I'll give you a very nice price on them -- I am like a nutty mother who would like to keep her children together, you know . . .
Kettle Cove 2
Here's another beauty from the edge of the earth -- Once again it's on Khadi handmade paper, and I've shown it here as it would look matted. I have three of these prints and all ot them have not very clean margins, so I think they're best this way (I've also improved one of my processing recipes to avoid this in the future, I hope).
The print measures 6 inches square.
Through the Woods
Beautiful Spring days this week. It's magic!
This print's on handmade Khadi paper, 8 1/2 inches or so square. The light on the bark of the big oak tree is wonderful when you see this in real life, and the entire print has a hand drawn feel about it.
Kettle Cove 1
The edge of the earth, truly! Sometimes being beside the water is incredibly powerful, especially this time of year when everything is starting to green up again.
This is liquid silver emulsion on handmade Khadi paper -- the edges are deckled, but the margins are a little spotty & stained, so I think this one really needs to be matted up to the edge of the image itself. The image measures 6 inches square.
T Holmlund's Katt
I'll spare the Achilles heel jokes . . .
Other people's things are so beautiful and really fascinating. It's almost like being able to go to another planet when you go into someone else's house -- especially if you're prone to looking and lookng, as I am.
This is liquid emulsion on hot press smooth watercolor paper -- there's some diagonal motion in the brushstrokes which sometimes ruins a print, but I think it works well in this one. This kind of printing, I expect those of you who have done it, or have been looking at these daily prints for a while understand, is full of variables and X factors.
Of course I'll guarantee your delight!
Lunch
This palace porch is nothing compared to the beautiful courtyard filled with plants and tables and water and birds -- a wonderful secret place to have lunch in Stockholm. Well Stockholm plus a little boat ride . . .
Liquid emulsion on handmade Khadi paper, all four edges are deckled and this is the small 8 1/2 inch size.
I guarantee you'll like it, as always. And as always, my thanks for looking!
Sisters
I've photographerd these three trees many times over the years. And have printed photographs of them many ways. Two winters ago, one of them fell, so now the sisters are two, rather than three.
This print is a lith print, with yellowy golden highlights and a definite graphic look to it. You can see snow on
Hops
This is a silver gelatin print, 6 inches square -- so it may well be smaller than what you're seeing on your screen. Hops and leaves -- it's a beautiful vine to have growing in your garden. And then of course, there's the Autumn harvest, and guess what you can make with them? Beer. Lots and lots of lovely beer . . . .
I'll sign & date the back, and mark it "Daily Print" for the buyer -- and as always, it's guaranteed.
Spring Point Light
Way out there on the end of the jetty -- it's always fun to jump across the rocks to get out there, or spend a hot summer afternoon mackerel fishing. You can see two people walking out there in this one, on a foggy winter afternoon.
I cheated a bit with this scan and did not include the deckled edges. This is handmade Khadi paper, 8 1/4 inches square. You can see its rough surface, and also the irregularities of the silver emulsion being brushed on by hand.
Its a lovely little print that will look nice mounted on a backing board in a deep-set frame or shadow box.
Cyclamen
This is a silver gelatin print, a cyclamen in a rough pottery container. A testimony to my abilities with houseplants, to be sure! On darker monitors this may be a tough one to view, but the shadows are really beautiful in this one -- I have had a variation of it hanging in my living room for years.
The print measures 6 inches square, and is printed on Fiber based paper to archival standards. It will come signed on the back & marked Daily Print with today's date, ready for matting & framing.
Guaranteed, as always.
Lilacs, bench
Beautiful bringers of summer, these blossoms. Here in Maine we hope to have them by Memorial Day, their white and purple blossoms, their heavy scent filling the air -- it's all just exactly right after a long winter and what sometimes seems like an endlessly dull mud season.
This is a little silver gelatin print -- hardly enlarged at all from the 4x5 negative (which means little or no grain at all). It measures approximately 5x6 inches.
window, Fort Preble
Funny to see late winter granite looking like American Southwest stucco! This is one of the windows at Fort Preble overlooking the entrance to Portland Harbor -- and if you were a soldier here on cannon duty, I suppose this is where you would point it. Seems odd to call it a window, but that will have to do until I find another more correct word. On the day I was here shooting, I was a little more interested in the way the granite all fit together here, and that odd bit of brickwork up there.
This is another 6 inch square lith print. This is ready to mat & frame, and it's tonally matched with the last 2 day's prints. All from Spring Point.
High Tide
Another from Spring Point -- at low tide it's fairly easy to scramble through here, but not so when the water's high. I think the lith process really worked well for this one, the exaggerated contrast & grain giving a bt more weight to the scene. Yes, it's the Maine Coast -- it's easy to grow so accustomed to it that you forget how special it is, but seeing this reminds me of what a powerful force the ocean is.
This is another 6 inch square lith print. Tonally, it matches yuesterday's Sumac. lighthouse almost perfectly, so if anyone's interested in both, they'll hang nicely together.
Sumacs, lighthouse
Another lith print -- you can see the lighthouse down at the end of the path and to the right. The base will show clearly on most monitors, the white body a little harder to make out on some. And then there is the sumac grove, the white fence, the bay . . .
Local folks will recognize this as Spring Point. It's always a wonderful place to walk, in any season. I took advantage of a dreary winter afternoon, knowing that for lith printing purposes, the stark branches and thick air would work nicely.
untitled
More of the dzffodil sepals in a straight vase, with one stray. This is a 5 x 6.5 inch lith print, only slightly enlarged from a 4 x 5 negative. There's remarkable detail in this, even though the lith printing process adds a sort of graphic element. You can see the stripes in the papery translucent sepals, the thin top of the vase, the shadows between the stems.
I'll sign & date the back, mark it "Daily Print" for the buyer. As always, if you're not completely happy with it when you get it, I'll refund your money.
Trees, dancing
Another lith print -- can you tell I'm on a tear? Those of you who have your own creative hours will certainly know the feeling: you find a language that speaks, that sings; you find a new material, a process, a subject, and it all starts to click. You make a new body of work. And often when you thought you never would . . .
This print is five inches square, an odd little scenerio that's bound to start a conversation or two.
Blossom, bird
Another lith print; you can really see here how the colors and grain structure are quite exaggerated with this process. This print measures 5x6 inches, it's a (not vey) enlarged 4x5 negative that had to be cropped because of an accident to one end of the film -- oops.
I love the leaves, the raindrops, the rocks, all the little details here -- but the real gem is the sharp clarity of that morning glory blossom . . .
Pears, plate
The dark view is always lovely in my book. This is three pears on a plate (of course) . The exposure was made onto liquid emulsion on a smooth watercolor paper. I show it here as it might look matted, since the edges aren't particularly beautiful on this one. Or maybe they are? Have a look:
The original print is on 7 1/2 inch square paper, so it's possible that it's larger on your monitor than in real life.
As always, if it doesn't meet expectations, you can return it for a full refund.
Poppies
This is a sweet little print, about 4 inches square on 8.5 inch handmade Khadi paper. I seem to have some sort of affinity for things past their prime -- which is much nicer than saying I'm into dead things -- and love to stop and look at them carefully.
leaf, lupine
Another one of my favorite images, dark and mysterious, giving more each time you look more closely. I thought I'd try printing it on cold press paper with liquid emulsion & seeing how I liked it. Well -- I do! It's dark with the very clear lines of the leaves coming out of the shadows. After I printed it I toned it to deepen the blacks and warm up the midtones. This in the small handmade Khadi paper again, with four deckled edges which I cropped out here. For an example of what those edges look like, look at Friday's print
Giraffe
I spent a wonderful afternoon with a bunch of giraffes last fall. They're so beautiful and gentle, really, and quite curious. This one seemed quite interested in the heavy KA-THUMP sound that my camera's shutter makes, and came quite close to inspect. In reality, the details of the expression on her face are what makes this great fun to look at.
This is a large print, liquid emulsion on 15 inch square hot press watercolor paper. The bottom and left margins are not as clean and sharp as they are here -- I had to scan this in pieces and put it together and didn't get enough border there, so I added plain white in photoshop.
frog, alarmed
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This is another silver gelatin print, an enlarged polaroid negative ( you can see the characteristic markings around thte edge of the frame). In the real print there's a touch more detail in the shadows and highlights both, not much, but enough to make stepping closer worthwhile.
The image measures approximately 7x5,5 inches with an inch or more margin all the way around. It's printed on fiber based paper and processed to archival standards. It's a fun one, guaranteed to make anyone smile.
Cemetery, trees
This is a contact print made on liquid emulsion brushed onto hot press (smooth) watercolor paper. The negative is 8x10 inches and the paper 9.5x14 or so. I often work with mismatched lenses and film, which gives this wonderful rounded top to the frame since the lens is not big enough to cover the film. The skewed film plane also gives that crazy out of focus sky.
Large format cameras are the ultimate toy for someone like me who always wants to see what if, what if, what if ???
This one will be beautiful matted so that a bit of the edges show. I'll sign it on the back and mark it Daily Print for the purchaser.
Meadow 0.13
At first glance this looked like a roadside grave marker out in the middle of nowhere -- but of course it wasn't. This is in Virginia, where I really enjoyed shooting trees and things closer to what's considered a "landscape" -- a thing I've never been any good at.
I like them printed with liquid emulsion, it sems to bring new life to an old genre -- or maybe it makes an old genre look old again . . .
This one is on 8 inch square hot press watercolor paper, mildly toned in coffee. It will be signed on the back, dated, and marked Daily print before shipping.
Luna moth
I shot this years ago, on the fourth of July, teetering on the arms of a wooden lawn chair, with the big Rollei very close to upside down . . .
I haven't had the chance to shoot another Luna before or since.
This is liquid emulsion on handmade Khadi paper again, a rough surfaced paper with four deckled edges. The emulsion's painted on about 9 inches square, the paper itself about 12 inches square. (Yes, I always have a tape measure!) so there's actually a bit more margin than you see here, with rough edges.
Narcissus I
O Spring! These are always some of the first beautiful flowers to come up in our yard. We have a patch of grass beside the driveway where they're naturalized. I can't tell you how many times I've gotten into my car, then gotten back out, shot a roll of film of daffodils and narcissi, and been late for wherever I was going . . .
Beauty does not wait -- well, it might, but you're a fool if you count on it waiting!
This is a silver gelatin print, about 7 inches square with a bit of margin to spare. It has a mate somewhere around here, which I will put up next week when it turns up again.
This in another lith print from my foggy afternoon in Deering Oaks. This one is printed on a different paper, so the tones are not quite as exotic as some of the others -- a more subtle plummy-brown. I like the softness of it very much.
I was planning on starting the week with something else, but around midnight found out that I could not get the pencil marks out of the margins of the print I'd made -- there was gelatin on top of them -- so it's back to the drawing board with that one. After an hour of shuffling through boxes and drawers, I decided on this one, and resolved to re-print the other one in the morning. Not sure if it'll be dry by tomorrow night, but we'll see.
This is 5 1/2 inches square.
As always, I'll guarantee it, so if you purchase it and aren't satisfied, you can return it for a full refund.
Daffodils
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This is a bleached-back silver gelatin print, from a 4x5 negative. The tones are really exquisite in this one, and remind me very much of an old platinum print. It's difficult to convey the delicacy on the computer screen, but I think it's apparent that this isn't a straightforward print. I made three of these, pushing each one in a different direction to get different sorts of flaws. This one is my favorite -- it seems to be appearing and disappearing all at once.
The print measures 5.5 x 7 inches -- not much bigger than the original negative, with an inch or so of border all around, I'll sign and date the back and mark it Daily Print. I'm sure you'll love it -- it's much more beautiful that the screen can ever tell, but if you don't, please feel free to return it for a full refund.
Lith tree 2
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This is the third lith print of three that I marked to go together. Tonally, they're well matched, and I think they create a nice sense of the variety of trees in Deering Oakss, and what a foggy winter day there can be like.
This one's 5 1/2 inches square, also.
3 print set
Winter Garden
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This is a lith print, 5 1/2 inches square. While lith prints can typically show a huge variety of colors, these mild salmon highlights with a very slight green tint to the blacks is one of my favorite variations. I spent a rainy foggy afternoon shooting all the beautiful old trees in one of our city parks here in Portland. This view included one of the flower gardens, put to bed for the winter. All this snow and fog really cried out for lith printing, and I'm pleased with the results. I'll have several more in the next few days and a couple of 3 print sets as well.
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